Archive for the ‘Marriage’ Category

‘Love, my unique personal love story is writing itself’

September 14, 2010

Dear Love,

I have been thinking a lot about you lately, Love. No, I am not submerged in some fiery new fascination. Quite the contrary! I have been pondering how you have appeared in my life, Love.

As a little girl I knew you well, Love. All pink hearts, apple pies, deportment and discipline. They told me. I knew it to be true, in-between. Then Love, you told me, “I beat you because I Love you. Never mind the welts, they will heal and you will be strong, steadfast; a person of whom I can be proud. Besides, it was the same love that grew me, and look, it did me no harm, I am fine.”

Is it standard practice, Love, to declare (on tape no less,) “Don’t take any shit from my daughter!” on her wedding day?

I grew up, (well, I had several birthdays,) and you Love, became red roses, opened doors, chivalry, providence and protection. I believed them then too, in-between. This time because I needed to.

Doesn’t the traditional “fairytale” wedding vow state, “In sickness and in health…?” So why Love, did you leave me fearing your care in the event of my incapacity?

“All you need is love.” Says the song. Has anyone ever asked what kind of love, Love?

Remember when you used to insist, “I do not want to hear you say, “Can’t” because you can. You forgot to tell the truth Love, that anything I did accomplish needed to remain behind you, in your shadow.

It was you Love who held me, manacled-by-man, arms behind my back, as you instructed love to beat me, break me, put me in my place.

“I love you!” You shout, type, tell, proclaim, at every opportunity. But then you shut me out, Love. “Send me to Coventry.” That is what we call it where I am from. “Of course you know I love you but you may not come in for your presence renders me invisible. Might you bend, shuffle, dim?” You confess in inebriated verbosity, Love.

Love you have a multitude of faces, forms and fundamentals. You are not always kind and you are most certainly not always nice. Quite frankly, Amor, you have been for me, to use English vernacular, a royal pain in the bottom.

So Love, the purpose of this letter is to bid you adieu, so long, farewell, auf Wiedersehen, goodbye. I will no longer accept you in my world as you are. Yes, I am fully aware that there will be consequences for my brave, or foolish, decision (only I shall know the final outcome,) but I need to take the risk. For Love, it is, at this juncture in my life, do or die my darling.

I know the love that I need is out there in the ether, in the air! Love that laughs and likes little old me — warts and all. Love that is communicative, caring and kind; that lingers with neither hurt nor smart; that is affectionately loquacious both in silence and in song. Love that will share time, and breath, and space with me — willingly and wantonly.

Do you know what I believe, Love? I believe that this love, my special, particular, peculiar, kind of love, lives inside of me, and even as we “speak,” Love, my unique personal love-story is writing itself. It is up to me. In fact, it is only me, Love, who can publish it, set it free.

Throughout my years of acquaintance with you in your various guises, Love, the most sacred lesson I have gleaned is, “Love is the key to liberation.”

I am using my key, Love. How about you? Have you the courage to set it free?

This column was published in the August, 2010, edition of The Southwest Community Connection newspaper.

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The Vagina Monologues, 2009, Mandeville

May 12, 2010

On Saturday, April 18, 2009, I organized, directed and performed in (alongside twelve other “Vagina Warriors”) Eve Ensler’s award-winning play, “The Vagina Monologues.” The show, a “The Ladies Who Dare!” production took place at Bloomfield Great House, Restaurant and Bar. A benefit production for the V-Day movement and the Montego Bay Home For Girls (Melody House,) it was the first-ever performance in Mandeville.

The Vagina Monologues, 2009, Mandeville, Cast

Vagina Warriors Are We!

Vagina Warrior, Dr. Glenda Simms

Doing The Vagina Monologues in Jamaica was for me a personal quest. They say life is a journey and I concur. As I travel this life journey, raising my two sons in a country that is their country but not my country, and liberating myself from an oppressive marriage, I am surprised to find myself discovering my Jamaican roots. Crazy as it may sound, I am being directed, by my ancestors, to my spiritual home. The grandmothers are attempting to remind me as I trundle along in this my turbulent life, of the often forgotten yet most crucial, rest stop on the road to wholeness and home.

My parents are Jamaican. They immigrated to England before Jamaica’s independence, to partake of their “piece of the pie,” and help themselves to some of those golden ingots that paved the streets of London. Leaving behind their secrets, shames, and unresolved grief, to create a new life in a better place and then, as quick as one can say “Abracadabra,” become better people.

Unfortunately, shames, secrets and unresolved grief, all wrapped up as they are, with your spirit and soul, cannot help but follow you wherever you go, wherever you are and if left unattended to, wreak havoc on your life.

Prior to The Vagina Monologues in Mandeville, I had been lucky enough to visit Jamaica a few times over the eighteen or so months prior to the production, however, there were certain things “culturally” that bothered me. I experienced many a moment that had me wondering, both cerebrally and increasingly vociferously, how I could get The Vagina Monologues to Jamaica; how I felt Jamaica needed “The Vagina Monologues.”

More often than not, people would giggle and then rapidly recoil from me. I swear I could hear ladies’ brains questioning “… but, she seemed like such a nice girl?” followed fretfully by, “Where the hell is my husband?” He of “the little brush” on the other hand, had a tendency, once he recovered from the shock of such a word tumbling so nonchalantly from the lips of one who had one (a vagina that is,) would move in closer, pressing, ever-emboldened now, on my personal boundary barrier.

Nevertheless, at times shaken, but ultimately, undeterred, I kept coming back to Jamaica, and, because that is who I am, I continued voicing my opinions with regard to The Vagina Monologues. (What I now realize is that along the way, I was finally fully discovering, exposing and embracing, “the Lady Who Dares” in me, myself and I.)

Abuse, in its myriad forms, has been an uninvited guest on this life journey. My father beat my mother. My mother beat her children. My oldest brother beat me up because, being first-born, con willy, he had license you see, obtained free and clear from mummy dearest, who relegated to third power-position behind my dad and her eldest son, considered me someone who needed to be brought down a peg or two. Then chiseled and chipped a little, and still believing in fairytales, I met and married my very own white knight in shining armor – sparkling, solid, stainless steel, commanding and wholly impervious to emotion it was.  (In truth, I think there was a mix up at the bookstore and I somehow ended up with a white, bearded smiting dude.)

Still, such is life, you live and learn, as the saying goes. And I choose to seek and accept, my lessons, and laugh, and dance, and sing, and love (beginning with myself – warts and all,) and heal.

Abuse, particularly against women and girls, is subtly sanctioned by the mores of society, innocuously mixed in with the adhesive that adheres the, acceptable labels (and accompanying characteristics and expectations) assigned to she; woman, mother, daughter, sister, wife, girlfriend, grandmother and friend.

I am attempting to end the cycle that inflicts my family (me, myself and I, and my two sons.) I am calling it what it is. I am exposing it, and I shall not be claiming it as my shame, something to be hidden, covered up and endured in silence.

Contrary to popular belief, mandates, dogma and doctrine, abuse is not woman’s burden to carry. It is not my burden to carry and pass down to my children packaged in with the bone china and family heirlooms. As I continue to learn about my Jamaican heritage and history, I am beginning to understand more and more the cycle of abuse as it relates to me.

As I commit to the struggle of becoming aware and wholly conscious, of me, who I am, naked of all labels, and step away from those same civilized mores, discarding the “shoulds” and “supposed tos” of life and, as I like to say, “reclaim my vagina,” what I have discovered is that the universe gifts us with opportunities to aid in our quest for enlightenment; for our own truth. The Vagina Monologues was, for me, one of those gifts.

I have performed in The Vagina Monologues in the US several times. In fact my first ever rehearsal was on my 40th birthday. (Dr. Glenda Simms said that women don’t begin to come into their own until their forties… I will admit that I am a late bloomer, although in many respects I was born old.) The effect it has had on my life has been profound, or destructive, dependent upon your perspective. It has empowered me. It clarified abuse in my own personal world and the world at large, and its disguises, as it tore me open, and shamelessly exposed how entwined, how encumbered humanity is in its madness. Especially women.

It showed me how it is all the same thing, whether it be physical, emotional, spiritual, societal; whether we wear bruises the world can see, or we carry the pain, internally and constipated, its aim is to diminish us, to negate us, to crush our inherent, life-giving, life-bringing, life-bearing, omnipotent power and have us fighting and fearing ourselves and each other.

Quite simply the aim of abuse against women and girls is, at its core, an effort to contain and control our life force, our creativity – our sexuality. It shouted out to me that abuse of any kind, whether directed toward woman, man, flora or beast, is never about love. It is always about control, and the two sides of the same anger coin, insecurity and fear.

It touched me so deeply; it changed my life – opened the door on a little chaos some might say – yet here was a medium for healing, empowerment, enlightenment, education, entertainment, lots of laughter, lots of tears, and liberation. My being a part of it accelerated me into awakening and pushed me gently back to breathing on my own. I was a genie in a bottle (a blue one) I rubbed, I am out and I am never going back. Performing in the Vagina Monologues helped me find my stroke.

I believe that every human – man and woman – needs to see it; needs to be touched by the power of it, so they too can know where and how abuse touches them, where and how they abuse, and begin to work to stop it. “To help us all remember the inherent, life-bearing, omnipotent power of woman; that without She, there cannot be, You, He, She, nor We.” I too believe that every woman, (every Jamaican woman,) needs to be afforded the opportunity to perform in The Vagina Monologues, however small a part, for the participating is, in itself, empowering, imbuing a sense of pride and accomplishment, unlocking the long-buried memory of her inherent, awesome, inner strength.

To see it, or to be in it, can and will assist in opening up much needed dialogue, for oneself and for others, about abuse and its suffocating side-kicks, pain, shame, secrets, rage and fear. I absolutely believe that dialogue, daring to say, to tell, to speak out loud, is the first step toward healing. Putting it out there allows other women to know they are not the only one.

By organizing, directing and performing in The Vagina Monologues on the island of Jamaica, and, serendipitously, in the parish of my parents and my ancestors, as I continue on my personal journey of healing and liberation, I find that I need to be the universe’s messenger and share this power-filled gift with the Jamaican woman.

I am grateful to have been able to meet ladies brave enough to dare to make it happen with me, to share themselves and their voices in order to give voice to the unseen and unheard among us (and those of us who truly don’t know it is abuse, for it is our norm, it is all we know,) whom though invisible and silent are out there, all over our world, ever increasing in numbers, being swept up in the hurricane of abuse against women and girls, then discarded on the outside, disheveled, disorientated feeling powerless and in pain, struggling just to survive and, inevitably in their shame-filled silence, becoming the fuel that keeps the cycle flowing and repeating itself.

The madness of abuse emotionally and physically cripples, not only women and girls, but men and boys too, and humanity is dying spiritually because of it.

I am deeply honored, and humbled, to have played a small part in helping to shine a light to expose this truth, so we can all work individually, yet collectively, to end the madness and begin the process of healing.

See photos from “The Vagina Monologues, Mandeville, 2009” here:
http://gallery.me.com/sharonmartini#100009
http://gallery.me.com/sharonmartini#100038
http://gallery.me.com/sharonmartini#100024

What I Know

August 19, 2008

Realizing the truth of my marriage, the lies, the deceit, the distance, the loneliness, the darkness; not understanding why I could not be seen, could not be heard. Realizing that I had predicted this place, this time, this experience. I had seen it coming. I had known it. I had called it. I had captured it all in one fleeting, tearful premonition, in the doorway of where one life had to end -for so many, many reasons – and another life had to begin.

I knew then in my bones that even though I had seen the “writing on the walls,” I had to go. I had to leave the claws of an entity that had no wish for my growth, my goodness, my becoming what I was destined to be. One who knew, too, who and what I was. What I am and shall ever be, for that entity was far more destructive and dangerous than that which I was walking toward. And I knew this (but I didn’t know that I knew it until now) and I wept, and I walked, eyes shut tight and holding my breath, into the wilderness that was to be my world until I woke up, exhaled, and began my return to the Wild – my home, my destiny, me.

And I can be there now, freely, truthfully, because I know the loneliness and fear of being lost in the wilderness, running from my tribe, my truth. Running from the howl of the cats, the cries of the ancestors, that have been calling me all of my life. I needed to live this life, spending time alone in the dark to find my way back through life’s labyrinth, scarred, chipped, flawed, but unbent, unbroken and free. 

I know I can do anything. I can surmount anything. I know that I am on top of the world, wherever I AM if I have the courage.