Posts Tagged ‘Art For Humanity’

Why Not Leave?

April 29, 2011

Often when “the dirty little secret” of domestic abuse finally escapes its carefully constructed prison of shame, fear, guilt, and self-blame, especially when its thick seemingly impenetrable walls are felled by murder, out tromps the Greek Chorus to query incredulously,  “Why didn’t she just leave his sorry ass?”

This, strange as it may seem, is easier said than done.

First, domestic abuse is frequently invisible to everyone but the victim(s) especially when it is verbal and emotional. There are no bruises or broken bones to display in exchange for compassion, empathy, or simple sympathy.

The victim becomes mute, surrendering voice to survive, suffocating in mind-jabbering silence, shame, self-recrimination and blame. “If I hadn’t made him mad…” “If we speak it will make her mad and she will beat us.” “If I speak then I expose to the world my ineptitude at being wife/woman/mother/man/husband/father/partner – human.” “If I speak I will shame my family, my church, my community, my workplace.” “If I speak I will lose access to my house, food, clothing, my children, money, my job, societal status, etc. etc. etc.”

Justification saunters uninvited into your taciturnity and proceeds to dance a maniacal two-step on your brain with denial and blame. You question your sanity, your desires, your needs, wants; your basic human rights. Unfailingly, your answers support your position that you are not entitled to any of those. “You are bad.” “You are black.” “You are poor.” “Remember where you came from….” “It’s all in your imagination.” “He took you and your children in.” “It’s not so bad.” “This is what you deserve.” “You are ugly.” “Toughen up, get over it, your mother had it much worse.”

Negative messages bombard you becoming crippling mantras with every laboured breath you take. Peppering your pummeled mind, adding confusion upon confusion. You find yourself questioning whether your left hand is indeed your left hand. “… Maybe it’s the right?” You no longer know anything.

You subsist on a diet of subterfuge, tension, and soul crushing anxiety. You swallow without chewing your festering rage. Tiptoeing around on eggshells you mercifully attend to the children, the family, the house, the garden, the church, the social groups, school, anything to avoid having to face the dire truth of your situation. One foot in front of the other, numb, impervious to feeling or sensation you maintain a state of frantic busyness, so as to not succumb – “to keep your head above water,” as the saying goes. Even though, if allowed one wish, it would be to buckle your knees and fall, surrendering wholly, finally, to Death’s seduction, the incessant whispers lasciviously caressing your every cell, enticing you with promises of sweet release – peace.

But, you do not succumb, you keep going; for the children; for the family; the community; the church; anyone but you. You see, on this long, ever-growing list of obligations and obligees, your name does not appear, for your life has become self-sacrifice, a lingering suicide, your self-esteem so fragmented you no longer exist. So how can it possibly occur to you that you can, (and must,) do for you? You cannot hear “GET UP! YOU ARE ENTITLED TO BETTER! RUN! SAVE YOURSELF! LIVE!” No. No. They cannot be talking to me?

And still, there is within, something, (spirit, an indomitable force, the call of the ancestors perhaps,) buried deep amongst the muck, mayhem, disappointment and duty that hardens your heart; “bellows softly blowing” doggedly pumping to keep the embers of your life-light from extinguishing completely, until such time when you can rise again from the ashes.

Leaving an abusive relationship is one of the hardest things to do. In fact, leaving any relationship is hard, even when uninspiring, the love long departed. It is because it is familiar; it is what you know. We are all too familiar with the adage, ‘Tis better the devil you know! On average it takes a victim of abuse seven tries before being able to permanently leave an abuser. (The most dangerous point in an abusive relationship is the time during and immediately following leaving). However, the task can be easier with planning and preparation:

Contact, or at least know, the contact information of the domestic violence/sexual assault programs in your area.

Build a strong support system if you can. Or at least try to become involved in outside activities so you are not completely isolated.

Make an escape plan which may include:

A place to hide the car keys and other important items.

A hidden emergency fund. Begin stashing away a little cash from any allowances
and/or grocery money. If your finances are entwined consider secretly opening a separate bank account in your name only, preferably with a different financial institution.

A packed suitcase with a couple changes of clothes for yourself and your family. Leave this with a trusted friend or somewhere your partner will not find it. Include copies of birth certificates, passports, evidence documenting the abuse, and any other pertinent personal documents such as financial records.

A safe, secure place, preferably unknown to the abuser, where you can go, Have a plan to get there undetected.

Develop a plan for calling the police in an emergency, or having someone call on your behalf.

Notify few people of your plans. Friends or family can, in an attempt to help, jeopardize your safety by exposing your plans to your abuser.

Be kind to yourself. Take time for yourself. Find ways to affirm your goodness and your worth.

Keep a journal and write out your feelings. Keep your journal in a safe place.

Continuing in my efforts to educate on abuse, I am again organizing, producing and performing in The Vagina Monologues in Jamaica. This time in Treasure Beach, ST. Elizabeth. The Ladies Who Dare! presents a benefit production of “The Vagina Monologues” as part of the V-Day Global campaign to end violence against women and girls.
Highway To Being! copyright Sharon Martini

7 pm, Saturday, April 30, 2011 at Frenchman’s Reef Restaurant and Bar
Treasure Beach, St. Elizabeth, Jamaica

In addition to “Ladies Who Dare!” from the greater Treasure Beach Community and beyond, the cast includes Dr. Glenda Simms, former Executive Director of the Bureau of Women’s Affairs, Marie Sparkes, founder of Pure Potential (a privately-operated Jamaican Therapy company whose objectives are to give victims a wider range of strategies, skills and knowlege to manage the issues of sexual abuse and exploitation) and five young ladies who dare from Treasure Beach’s A Ganar Youth Leadership Program.

This event is a fundraiser for abused and exploited women in St. Elizabeth. Funds raised will be used to create a Healing Advocacy Fund for “Suzie” of Treasure Beach. Requested donation Ja$500.

To buy tickets online or to make a donation.

For tickets and information call: 876-574-3556
Email: thevaginamonologues@sharonmartini.com

Visit the official V-Day website at: www.vday.org

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For Haiti

January 27, 2011

The Crossing Over.

One year ago watching the aftermath of the devastating earthquake in Haiti, I wondered what I could do, besides send money, to help. One day it hit me to conduit a healing journey for the country. “La Traversée” (The Crossing Over) is that healing.

Human salvation …

October 23, 2010

This Martin Luther King quote was in an email I received today. It resonated so much that I simply had share.

Does it speak to you?

The Vagina Monologues, 2009, Mandeville

May 12, 2010

On Saturday, April 18, 2009, I organized, directed and performed in (alongside twelve other “Vagina Warriors”) Eve Ensler’s award-winning play, “The Vagina Monologues.” The show, a “The Ladies Who Dare!” production took place at Bloomfield Great House, Restaurant and Bar. A benefit production for the V-Day movement and the Montego Bay Home For Girls (Melody House,) it was the first-ever performance in Mandeville.

The Vagina Monologues, 2009, Mandeville, Cast

Vagina Warriors Are We!

Vagina Warrior, Dr. Glenda Simms

Doing The Vagina Monologues in Jamaica was for me a personal quest. They say life is a journey and I concur. As I travel this life journey, raising my two sons in a country that is their country but not my country, and liberating myself from an oppressive marriage, I am surprised to find myself discovering my Jamaican roots. Crazy as it may sound, I am being directed, by my ancestors, to my spiritual home. The grandmothers are attempting to remind me as I trundle along in this my turbulent life, of the often forgotten yet most crucial, rest stop on the road to wholeness and home.

My parents are Jamaican. They immigrated to England before Jamaica’s independence, to partake of their “piece of the pie,” and help themselves to some of those golden ingots that paved the streets of London. Leaving behind their secrets, shames, and unresolved grief, to create a new life in a better place and then, as quick as one can say “Abracadabra,” become better people.

Unfortunately, shames, secrets and unresolved grief, all wrapped up as they are, with your spirit and soul, cannot help but follow you wherever you go, wherever you are and if left unattended to, wreak havoc on your life.

Prior to The Vagina Monologues in Mandeville, I had been lucky enough to visit Jamaica a few times over the eighteen or so months prior to the production, however, there were certain things “culturally” that bothered me. I experienced many a moment that had me wondering, both cerebrally and increasingly vociferously, how I could get The Vagina Monologues to Jamaica; how I felt Jamaica needed “The Vagina Monologues.”

More often than not, people would giggle and then rapidly recoil from me. I swear I could hear ladies’ brains questioning “… but, she seemed like such a nice girl?” followed fretfully by, “Where the hell is my husband?” He of “the little brush” on the other hand, had a tendency, once he recovered from the shock of such a word tumbling so nonchalantly from the lips of one who had one (a vagina that is,) would move in closer, pressing, ever-emboldened now, on my personal boundary barrier.

Nevertheless, at times shaken, but ultimately, undeterred, I kept coming back to Jamaica, and, because that is who I am, I continued voicing my opinions with regard to The Vagina Monologues. (What I now realize is that along the way, I was finally fully discovering, exposing and embracing, “the Lady Who Dares” in me, myself and I.)

Abuse, in its myriad forms, has been an uninvited guest on this life journey. My father beat my mother. My mother beat her children. My oldest brother beat me up because, being first-born, con willy, he had license you see, obtained free and clear from mummy dearest, who relegated to third power-position behind my dad and her eldest son, considered me someone who needed to be brought down a peg or two. Then chiseled and chipped a little, and still believing in fairytales, I met and married my very own white knight in shining armor – sparkling, solid, stainless steel, commanding and wholly impervious to emotion it was.  (In truth, I think there was a mix up at the bookstore and I somehow ended up with a white, bearded smiting dude.)

Still, such is life, you live and learn, as the saying goes. And I choose to seek and accept, my lessons, and laugh, and dance, and sing, and love (beginning with myself – warts and all,) and heal.

Abuse, particularly against women and girls, is subtly sanctioned by the mores of society, innocuously mixed in with the adhesive that adheres the, acceptable labels (and accompanying characteristics and expectations) assigned to she; woman, mother, daughter, sister, wife, girlfriend, grandmother and friend.

I am attempting to end the cycle that inflicts my family (me, myself and I, and my two sons.) I am calling it what it is. I am exposing it, and I shall not be claiming it as my shame, something to be hidden, covered up and endured in silence.

Contrary to popular belief, mandates, dogma and doctrine, abuse is not woman’s burden to carry. It is not my burden to carry and pass down to my children packaged in with the bone china and family heirlooms. As I continue to learn about my Jamaican heritage and history, I am beginning to understand more and more the cycle of abuse as it relates to me.

As I commit to the struggle of becoming aware and wholly conscious, of me, who I am, naked of all labels, and step away from those same civilized mores, discarding the “shoulds” and “supposed tos” of life and, as I like to say, “reclaim my vagina,” what I have discovered is that the universe gifts us with opportunities to aid in our quest for enlightenment; for our own truth. The Vagina Monologues was, for me, one of those gifts.

I have performed in The Vagina Monologues in the US several times. In fact my first ever rehearsal was on my 40th birthday. (Dr. Glenda Simms said that women don’t begin to come into their own until their forties… I will admit that I am a late bloomer, although in many respects I was born old.) The effect it has had on my life has been profound, or destructive, dependent upon your perspective. It has empowered me. It clarified abuse in my own personal world and the world at large, and its disguises, as it tore me open, and shamelessly exposed how entwined, how encumbered humanity is in its madness. Especially women.

It showed me how it is all the same thing, whether it be physical, emotional, spiritual, societal; whether we wear bruises the world can see, or we carry the pain, internally and constipated, its aim is to diminish us, to negate us, to crush our inherent, life-giving, life-bringing, life-bearing, omnipotent power and have us fighting and fearing ourselves and each other.

Quite simply the aim of abuse against women and girls is, at its core, an effort to contain and control our life force, our creativity – our sexuality. It shouted out to me that abuse of any kind, whether directed toward woman, man, flora or beast, is never about love. It is always about control, and the two sides of the same anger coin, insecurity and fear.

It touched me so deeply; it changed my life – opened the door on a little chaos some might say – yet here was a medium for healing, empowerment, enlightenment, education, entertainment, lots of laughter, lots of tears, and liberation. My being a part of it accelerated me into awakening and pushed me gently back to breathing on my own. I was a genie in a bottle (a blue one) I rubbed, I am out and I am never going back. Performing in the Vagina Monologues helped me find my stroke.

I believe that every human – man and woman – needs to see it; needs to be touched by the power of it, so they too can know where and how abuse touches them, where and how they abuse, and begin to work to stop it. “To help us all remember the inherent, life-bearing, omnipotent power of woman; that without She, there cannot be, You, He, She, nor We.” I too believe that every woman, (every Jamaican woman,) needs to be afforded the opportunity to perform in The Vagina Monologues, however small a part, for the participating is, in itself, empowering, imbuing a sense of pride and accomplishment, unlocking the long-buried memory of her inherent, awesome, inner strength.

To see it, or to be in it, can and will assist in opening up much needed dialogue, for oneself and for others, about abuse and its suffocating side-kicks, pain, shame, secrets, rage and fear. I absolutely believe that dialogue, daring to say, to tell, to speak out loud, is the first step toward healing. Putting it out there allows other women to know they are not the only one.

By organizing, directing and performing in The Vagina Monologues on the island of Jamaica, and, serendipitously, in the parish of my parents and my ancestors, as I continue on my personal journey of healing and liberation, I find that I need to be the universe’s messenger and share this power-filled gift with the Jamaican woman.

I am grateful to have been able to meet ladies brave enough to dare to make it happen with me, to share themselves and their voices in order to give voice to the unseen and unheard among us (and those of us who truly don’t know it is abuse, for it is our norm, it is all we know,) whom though invisible and silent are out there, all over our world, ever increasing in numbers, being swept up in the hurricane of abuse against women and girls, then discarded on the outside, disheveled, disorientated feeling powerless and in pain, struggling just to survive and, inevitably in their shame-filled silence, becoming the fuel that keeps the cycle flowing and repeating itself.

The madness of abuse emotionally and physically cripples, not only women and girls, but men and boys too, and humanity is dying spiritually because of it.

I am deeply honored, and humbled, to have played a small part in helping to shine a light to expose this truth, so we can all work individually, yet collectively, to end the madness and begin the process of healing.

See photos from “The Vagina Monologues, Mandeville, 2009” here:
http://gallery.me.com/sharonmartini#100009
http://gallery.me.com/sharonmartini#100038
http://gallery.me.com/sharonmartini#100024

Mirror, Mirror … There I Am!

May 5, 2010

This is the piece McKenzie River Gathering Foundation commissioned me to create and unveiled at “Justice Within Reach” April 10, 2010. Below is my Artist Statement and the story behind this piece my sons think is “awesome.”

Mirror, Mirror ... There I Am! by Sharon Martini

My mission with my art is to unite all people in joy.

With my exuberantly colorful, intuitive artworks, starring brown characters, I bring to the forefront, with candor and humor, the truth that we all, no matter our color or culture, are the same – inherently human – entitled to, love, peace, equal treatment and joy.

I aim to give voice, visibility and a leading role in the pictures, and on the stage of “the theatre of humanity and life,” to the dark-skinned among us, whom are so often omitted from any positive, joyful, energetic and life-giving “productions.”

In this piece, “Mirror, Mirror … There I Am!” created for MRG, these ideas are central. Social Justice, I believe begins, and ends, with being able to see oneself everywhere, in the sun, the moon, the birds, the bees, the sea, the trees, and especially in all humans of every hue, but especially the dark, melanistic peoples.

Social justice, to me, begins with the ability to be comfortable and confident in who I am, to understand and know, we all are one, with each other and every living thing. The mirrors in “Mirror, Mirror … There I Am!” with each glimpse, “reflect the I in me, so I may see, the me in you, and every living being” of each and every person who peeks at the piece.

Creating art in a variety of media – fabric collage, paint, words, nature, metals and music, I aim to unite all people in joy, to touch you with truth and make you smile.

We often forget, in these our modern, increasingly stratified, multicultural times, the healing power of a simple smile. When we smile we are so much more open to everything!