Posts Tagged ‘Gifts’

‘Love, my unique personal love story is writing itself’

September 14, 2010

Dear Love,

I have been thinking a lot about you lately, Love. No, I am not submerged in some fiery new fascination. Quite the contrary! I have been pondering how you have appeared in my life, Love.

As a little girl I knew you well, Love. All pink hearts, apple pies, deportment and discipline. They told me. I knew it to be true, in-between. Then Love, you told me, “I beat you because I Love you. Never mind the welts, they will heal and you will be strong, steadfast; a person of whom I can be proud. Besides, it was the same love that grew me, and look, it did me no harm, I am fine.”

Is it standard practice, Love, to declare (on tape no less,) “Don’t take any shit from my daughter!” on her wedding day?

I grew up, (well, I had several birthdays,) and you Love, became red roses, opened doors, chivalry, providence and protection. I believed them then too, in-between. This time because I needed to.

Doesn’t the traditional “fairytale” wedding vow state, “In sickness and in health…?” So why Love, did you leave me fearing your care in the event of my incapacity?

“All you need is love.” Says the song. Has anyone ever asked what kind of love, Love?

Remember when you used to insist, “I do not want to hear you say, “Can’t” because you can. You forgot to tell the truth Love, that anything I did accomplish needed to remain behind you, in your shadow.

It was you Love who held me, manacled-by-man, arms behind my back, as you instructed love to beat me, break me, put me in my place.

“I love you!” You shout, type, tell, proclaim, at every opportunity. But then you shut me out, Love. “Send me to Coventry.” That is what we call it where I am from. “Of course you know I love you but you may not come in for your presence renders me invisible. Might you bend, shuffle, dim?” You confess in inebriated verbosity, Love.

Love you have a multitude of faces, forms and fundamentals. You are not always kind and you are most certainly not always nice. Quite frankly, Amor, you have been for me, to use English vernacular, a royal pain in the bottom.

So Love, the purpose of this letter is to bid you adieu, so long, farewell, auf Wiedersehen, goodbye. I will no longer accept you in my world as you are. Yes, I am fully aware that there will be consequences for my brave, or foolish, decision (only I shall know the final outcome,) but I need to take the risk. For Love, it is, at this juncture in my life, do or die my darling.

I know the love that I need is out there in the ether, in the air! Love that laughs and likes little old me — warts and all. Love that is communicative, caring and kind; that lingers with neither hurt nor smart; that is affectionately loquacious both in silence and in song. Love that will share time, and breath, and space with me — willingly and wantonly.

Do you know what I believe, Love? I believe that this love, my special, particular, peculiar, kind of love, lives inside of me, and even as we “speak,” Love, my unique personal love-story is writing itself. It is up to me. In fact, it is only me, Love, who can publish it, set it free.

Throughout my years of acquaintance with you in your various guises, Love, the most sacred lesson I have gleaned is, “Love is the key to liberation.”

I am using my key, Love. How about you? Have you the courage to set it free?

This column was published in the August, 2010, edition of The Southwest Community Connection newspaper.

Advertisements

Dreams are personal messages to help guide us

June 30, 2010

To dream is to invent, aspire to, conceive of or imagine; to daydream. A dream is a series of images, ideas, emotions, and sensations occurring during sleep. It is funny (or is it fundamental?) the dreams one remembers, and when one remembers them.

I must have been about four years old. I had been fast asleep in bed when something roused me from my slumber. Suddenly, peering under my bed, I was face to face with a large foreign feline. This was no ordinary, domestic, English kitty.  No, this was a ginormous female black jaguar. Her shiny black fur glistened in the dark, and the huge golden yellow orbs that were her eyes flickered and sparkled as she observed me. This leopard had business with me, not my brother, or sister, nor the baby in his crib blissfully sleeping nearby. Her gaze coolly conveyed this as she lay there speaking loudly in palpable, powerful, persuasive, panther silence to little me.

“MUMMY!” fear finally kicking in, I ran screaming to my parents’ room. I breathlessly told them what I had seen. My mother brought me back to my bedroom, all the while insisting it was nothing, only a dream, she said. But then, upon entering my room my mother, her back pressed against the wall, stood terrified, as if she had seen a ghost, or maybe a giant black jaguar, with luminescent sun saucers for eyes, lounging obsequiously under the bed, waiting patiently for what was rightfully hers, namely me. Then, visibly traumatized but having finally reclaimed her gross motor skills, mummy commanded me to get back in bed and promptly departed. We never did discuss that dream.

As an adult, at a time in my life where I am actively seeking my purpose, traveling solo, single-mindedly to spiritual awakening, I find I can dream on demand. I can meditate and conduct spiritual journeying. Whenever I employ one of these practices I always find myself surrounded by, and protected by, black jaguars. Often, I am the black jaguar.

The jaguar is a mystical magical beast, the queen of he jungle; a lady of the night (lunar not lascivious.) She is the dark mother, aligned with femininity, earth, death, darkness, rebirth, harmony, balance, and acclimatizing. She is solitary, strong and sonorous. On reflection, I recognize that in many ways she “looks like” me. I am a dark mother. I am solitary (even as I attempt to not be so much so.) I am strong, and if I do say so myself, I have a unique, rich voice.

I have come to believe that my dreams are personal messages, nocturnal missives for me from Goddess/God/Universe/Spirit, to help guide and teach me. To help me find, meet and claim myself. Many indigenous and ancient cultures believe we have spirit guides, animal alter egos whose qualities and characteristics represent our strengths, weaknesses and the pieces of ourselves needing the most personal attention. They believe for healing – spiritual, physical and emotional, wholeness – one must communicate freely and often with these animal angels and creature gods.

John Sanford, in his book, ““Dreams, God’s Forgotten Language” confirms my belief with his argument that God converses with us in our dreams, but we have forgotten how to hear. Far-fetched? Fantastical? I do not think so. Fundamental, I say.

I believe, a dream, a vision, a nightmare, a hallucination even, or imagination, is God/Goddess/Universe/Spirit, talking, attempting to guide, calling us to conversation. A dream is the primordial open invitation to dialogue with deity.

Still, don’t take my word for it. Close your eyes and dream. The gods and goddesses are whispering your wisdom and waiting patiently to dialogue with you.

A version of this column appeared in the June, 2010 edition of The Southwest Community Connection newspaper.

The Shadow

June 11, 2010

Me, My Shadow - I!

It is within me
All about me
It is me

My mirror
My muse
My reflection
My ruse
It is me

It is my left leg
Or maybe right
My daytime
Or my night
It is me

It is my sunshine
It is my pain
It is my thunder
It is my rain
It is me

It is my trail
It is my wail
It is my own personal Holy Grail
It is my magic
It is my menace
My terrific
Or my tragic
It is me

It is my womb
It is my wonder
It is me

It is dispassionately awaiting
My evasion
Or my embrace
It is my path to peace, purgatory,
Or wherever
However, I get to choose

It is my lifelong partner
Beckoning me to dance
If I dare
And with whom I will die
With, or without, care

Wake up! There are three snakes in your bed

June 11, 2010

Imagine yourself awaking, stretching as you leisurely unfurl yourself, eyes closed, into a regal recline. You are the mother of two rambunctious, loveable rascals whom have not as yet arisen.

You are luxuriating in the resonance of an audible inner exhale that thrills your every cell as it breathes from the tips of your toes to the top of your head, when, surrendering to the “Ahh,” your Zen is shattered by a helium-high pitched “One. Two. Three.” In stereo!

Welcome to one morning in my world. The boys were up. I opened my eyes to witness them cocksuredly laying out on the other pillow in my bed, their catch of the day, three lithe, not so little, garden snakes. Do you have any idea what freshly captured garden snakes smell like?

There they stood, Moses and Malik, wide-eyed, breathless, proud as peacocks, grinning Cheshire cats; the cats that got the cream. I could conjure another cliché, but you get the picture I am sure.

My gut reaction, the girly-girl in me. Yes, I know this is non politically correct language, but this is the truest way I can describe that particular bit of the many bits that make up the whole of me. Do you want to know what the woman/hag/crone/angel/witch/goddess/mother in me, wanted to do to my darlings?

Anyway, as I was saying, the girly-girl in me wanted to wretch, scream, hurl – all over Moses and Malik, not the serpents – but then I remembered Gwendoline. Gwendoline, heroine, star, of my little picture book, “Bugs! Bugs! Bugs! I Love Bugs!”

Sugar and spice and all things nice, that’s what Gwendoline is made of, but, Gwendoline loves all things squiggly, wiggly, creepy and crawly. Yes! Gwendoline loves bugs! Forgive me but, cheek-to-cheek, in full pillow-patter pose with three ticked off ophidians, there is no distinction between a worm and a snake.

As I thought of Gwendoline, my stomach settled and I found my breath. Did you know you can breathe through your skin? I sat reclining, admittedly at this point more rigid than regal, smiling wanly, somewhat stupefied, and questioned how my life had come to this. No prince charming on my pillow. No knight in shining armor, only three Thamnophis Sirtalis serpents on my bolster, and Moses and Malik, fruit of my womb, standing to attention, positively glowing in exaltation. Had my offspring presented me at that time, with the Hope diamond, or a hundred-million-dollar winning lottery ticket, they could not have been more certain of their worth and entitlement to my deepest gratitude and undying love. I marveled at how I had never, in my wildest dreams (and I am she of the wild reverie,) imagined that this would be my life.

Do you know what? Looking back I am so glad I had never imagined so many of things that have been my life, for had I, I would have run hard and fast the other way (whichever direction that might have been.) Boy would I have missed out on so many weird and wonderful experiences.

I mean, one has not lived unless one can truthfully say, “I have reclined in bed with three snakes simultaneously – the reptile kind!”

This column originally appeared in the May, 2010 edition of The Southwest Community Connection newspaper.

The Vagina Monologues, 2009, Mandeville

May 12, 2010

On Saturday, April 18, 2009, I organized, directed and performed in (alongside twelve other “Vagina Warriors”) Eve Ensler’s award-winning play, “The Vagina Monologues.” The show, a “The Ladies Who Dare!” production took place at Bloomfield Great House, Restaurant and Bar. A benefit production for the V-Day movement and the Montego Bay Home For Girls (Melody House,) it was the first-ever performance in Mandeville.

The Vagina Monologues, 2009, Mandeville, Cast

Vagina Warriors Are We!

Vagina Warrior, Dr. Glenda Simms

Doing The Vagina Monologues in Jamaica was for me a personal quest. They say life is a journey and I concur. As I travel this life journey, raising my two sons in a country that is their country but not my country, and liberating myself from an oppressive marriage, I am surprised to find myself discovering my Jamaican roots. Crazy as it may sound, I am being directed, by my ancestors, to my spiritual home. The grandmothers are attempting to remind me as I trundle along in this my turbulent life, of the often forgotten yet most crucial, rest stop on the road to wholeness and home.

My parents are Jamaican. They immigrated to England before Jamaica’s independence, to partake of their “piece of the pie,” and help themselves to some of those golden ingots that paved the streets of London. Leaving behind their secrets, shames, and unresolved grief, to create a new life in a better place and then, as quick as one can say “Abracadabra,” become better people.

Unfortunately, shames, secrets and unresolved grief, all wrapped up as they are, with your spirit and soul, cannot help but follow you wherever you go, wherever you are and if left unattended to, wreak havoc on your life.

Prior to The Vagina Monologues in Mandeville, I had been lucky enough to visit Jamaica a few times over the eighteen or so months prior to the production, however, there were certain things “culturally” that bothered me. I experienced many a moment that had me wondering, both cerebrally and increasingly vociferously, how I could get The Vagina Monologues to Jamaica; how I felt Jamaica needed “The Vagina Monologues.”

More often than not, people would giggle and then rapidly recoil from me. I swear I could hear ladies’ brains questioning “… but, she seemed like such a nice girl?” followed fretfully by, “Where the hell is my husband?” He of “the little brush” on the other hand, had a tendency, once he recovered from the shock of such a word tumbling so nonchalantly from the lips of one who had one (a vagina that is,) would move in closer, pressing, ever-emboldened now, on my personal boundary barrier.

Nevertheless, at times shaken, but ultimately, undeterred, I kept coming back to Jamaica, and, because that is who I am, I continued voicing my opinions with regard to The Vagina Monologues. (What I now realize is that along the way, I was finally fully discovering, exposing and embracing, “the Lady Who Dares” in me, myself and I.)

Abuse, in its myriad forms, has been an uninvited guest on this life journey. My father beat my mother. My mother beat her children. My oldest brother beat me up because, being first-born, con willy, he had license you see, obtained free and clear from mummy dearest, who relegated to third power-position behind my dad and her eldest son, considered me someone who needed to be brought down a peg or two. Then chiseled and chipped a little, and still believing in fairytales, I met and married my very own white knight in shining armor – sparkling, solid, stainless steel, commanding and wholly impervious to emotion it was.  (In truth, I think there was a mix up at the bookstore and I somehow ended up with a white, bearded smiting dude.)

Still, such is life, you live and learn, as the saying goes. And I choose to seek and accept, my lessons, and laugh, and dance, and sing, and love (beginning with myself – warts and all,) and heal.

Abuse, particularly against women and girls, is subtly sanctioned by the mores of society, innocuously mixed in with the adhesive that adheres the, acceptable labels (and accompanying characteristics and expectations) assigned to she; woman, mother, daughter, sister, wife, girlfriend, grandmother and friend.

I am attempting to end the cycle that inflicts my family (me, myself and I, and my two sons.) I am calling it what it is. I am exposing it, and I shall not be claiming it as my shame, something to be hidden, covered up and endured in silence.

Contrary to popular belief, mandates, dogma and doctrine, abuse is not woman’s burden to carry. It is not my burden to carry and pass down to my children packaged in with the bone china and family heirlooms. As I continue to learn about my Jamaican heritage and history, I am beginning to understand more and more the cycle of abuse as it relates to me.

As I commit to the struggle of becoming aware and wholly conscious, of me, who I am, naked of all labels, and step away from those same civilized mores, discarding the “shoulds” and “supposed tos” of life and, as I like to say, “reclaim my vagina,” what I have discovered is that the universe gifts us with opportunities to aid in our quest for enlightenment; for our own truth. The Vagina Monologues was, for me, one of those gifts.

I have performed in The Vagina Monologues in the US several times. In fact my first ever rehearsal was on my 40th birthday. (Dr. Glenda Simms said that women don’t begin to come into their own until their forties… I will admit that I am a late bloomer, although in many respects I was born old.) The effect it has had on my life has been profound, or destructive, dependent upon your perspective. It has empowered me. It clarified abuse in my own personal world and the world at large, and its disguises, as it tore me open, and shamelessly exposed how entwined, how encumbered humanity is in its madness. Especially women.

It showed me how it is all the same thing, whether it be physical, emotional, spiritual, societal; whether we wear bruises the world can see, or we carry the pain, internally and constipated, its aim is to diminish us, to negate us, to crush our inherent, life-giving, life-bringing, life-bearing, omnipotent power and have us fighting and fearing ourselves and each other.

Quite simply the aim of abuse against women and girls is, at its core, an effort to contain and control our life force, our creativity – our sexuality. It shouted out to me that abuse of any kind, whether directed toward woman, man, flora or beast, is never about love. It is always about control, and the two sides of the same anger coin, insecurity and fear.

It touched me so deeply; it changed my life – opened the door on a little chaos some might say – yet here was a medium for healing, empowerment, enlightenment, education, entertainment, lots of laughter, lots of tears, and liberation. My being a part of it accelerated me into awakening and pushed me gently back to breathing on my own. I was a genie in a bottle (a blue one) I rubbed, I am out and I am never going back. Performing in the Vagina Monologues helped me find my stroke.

I believe that every human – man and woman – needs to see it; needs to be touched by the power of it, so they too can know where and how abuse touches them, where and how they abuse, and begin to work to stop it. “To help us all remember the inherent, life-bearing, omnipotent power of woman; that without She, there cannot be, You, He, She, nor We.” I too believe that every woman, (every Jamaican woman,) needs to be afforded the opportunity to perform in The Vagina Monologues, however small a part, for the participating is, in itself, empowering, imbuing a sense of pride and accomplishment, unlocking the long-buried memory of her inherent, awesome, inner strength.

To see it, or to be in it, can and will assist in opening up much needed dialogue, for oneself and for others, about abuse and its suffocating side-kicks, pain, shame, secrets, rage and fear. I absolutely believe that dialogue, daring to say, to tell, to speak out loud, is the first step toward healing. Putting it out there allows other women to know they are not the only one.

By organizing, directing and performing in The Vagina Monologues on the island of Jamaica, and, serendipitously, in the parish of my parents and my ancestors, as I continue on my personal journey of healing and liberation, I find that I need to be the universe’s messenger and share this power-filled gift with the Jamaican woman.

I am grateful to have been able to meet ladies brave enough to dare to make it happen with me, to share themselves and their voices in order to give voice to the unseen and unheard among us (and those of us who truly don’t know it is abuse, for it is our norm, it is all we know,) whom though invisible and silent are out there, all over our world, ever increasing in numbers, being swept up in the hurricane of abuse against women and girls, then discarded on the outside, disheveled, disorientated feeling powerless and in pain, struggling just to survive and, inevitably in their shame-filled silence, becoming the fuel that keeps the cycle flowing and repeating itself.

The madness of abuse emotionally and physically cripples, not only women and girls, but men and boys too, and humanity is dying spiritually because of it.

I am deeply honored, and humbled, to have played a small part in helping to shine a light to expose this truth, so we can all work individually, yet collectively, to end the madness and begin the process of healing.

See photos from “The Vagina Monologues, Mandeville, 2009” here:
http://gallery.me.com/sharonmartini#100009
http://gallery.me.com/sharonmartini#100038
http://gallery.me.com/sharonmartini#100024

Request for an omission shows the need for inclusion

February 11, 2010

I am an angel.

I am dark.

Dark as mother earth.

I am an angel.

I am a black angel.

Feel my spark.

I performed my original song, “Black Angel,” at Colored Pencils Art and Culture, One-Year Anniversary Celebration at City Hall this past month.

Colored Pencils is, in the words of founder and Portland artist Nim Xuto, “…a group of newcomers, poets, artists and like-minded people of all colors who gather together once a month to sing, read poetry, and perform in our native languages.”

I am golden.

I am goddess.

I am dark.

I am divine.

Singing my own words, my own truth, for an audience is an exhilarating, humbling and nerve-wracking experience. My dormant familiar inner dialogue never fails to resuscitate immediately before I begin: “Did you practice enough? No. Relax, it’s the words, Sharon.” Nevertheless, gladly taking the stage I smile, inhale, invoking supporting spirits. Strumming and singing my heart, the universe cradles me, the audience smiles back at me. They are listening to my words.

I am regal.

I am rebel.

I am dark.

I am divine.

A man approached me afterward. Shaking my hand, he tells me how much he enjoyed my song. He remains standing before me. I feel my being expand in the warmth of his admiration and I remember the little girl in Jamaica shyly confessing that my song made her cry happy tears. Present again, I await this man’s continued, sure to be complimentary, commentary.

“… But you need to take out the ‘black.’”

Eloquence, articulacy and pride escape me, rapidly deflating me. Discombobulated, a tad perturbed, I am ready to jettison my halo, pluck my wings and climb into conveniently materialized cloven hooves. Miraculously, recovering vocabulary and sense, I am able to exclaim: “I am black.” Momentarily relieved as I glimpse my white angel friend (a.k.a. potential ally) in my, thankfully, re-expanding scope of view, I am quickly forced to refocus while contemplating whether angels can, indeed, fly backward.

Nobody ever talks about angels like me.

I can move mountains.

I have birthed seas.

Transmigrated, I right my halo and fluff my wings.

“You need to take out the ‘black,’” the man repeats in a soft, but menacing tone, akin to that of a concerned but seething parent.

Reconnected, mercifully, with my inner seraph, I patiently explain that I sing of black angels to counter the accepted norm, or mythology, that angels are only white. I shared my belief that we humans are angels, too, and we appear in every color. Sadly, I did not assuage his fears. He stomped off repeating his warning that I needed to take the “black” out.

Where angels are concerned, black angels are not often considered, nor depicted. If they are, they are dismissed as white angels gone astray; the fallen, the naughty anomaly, or quite simply a sullied one covered in soot.

In this life I know there is a lesson in every surprise, every disappointment – every happening. I am grateful for this truth, even as I ponder the pedagogy. The “art of gratitude,” unlike “the art of the guitar,” which I have a tendency to wing, I do practice, regularly. So, thank you white angel in men’s clothing, for liking my song and requesting that I eradicate the “black.”

In these our multicultural times we humans/angels habitually find ourselves mired in the black and white divide of good versus evil. I sing “Black Angel” as antidote to the poison of that gap, or as a tool to use, if one wishes, to assist in navigating your own way out of the quagmire.

Thank you also for teaching me that I need to dare to keep singing “Black Angel.” Try to remember, you, too, are an angel. You, too, are divine, and, as you did concede, angels do come in all colors. You are free to choose your own hue, however I reiterate:

I am golden.

I am goodness.

I am dark.

I am a black angel.

I am.

I am.

I am divine.

This column originally appeared in the January 2010, edition of The Southwest Community Connection newspaper

Where I am from

January 22, 2010

I am from singing and dancing and sunshine and healing

I am from sorrow and sadness and survival and shame
I am from whippings and welts and wounds and weeping
I am from broken promises and pride and palpable pain
I am from struggle and survival and assimilation and success
I am from singing and dancing and sunshine and healing

I am from unresolved grief and joy and untruths and blind rage
I am from maligned myths and mutilated memories and hunger and hurt
I am from detachment and deception and disappointment and dreams
I am from learned malaproprism and miseducation and petrified hearts
I am from singing and dancing and sunshine and healing

I am from imposed schizophrenia and divinity denied
I am from beatings and bashings and banishment and betrayal
I am from coughed up colonialism and regurgitated rhetoric
I am from misappropriated majesty and ingested iniquity
I am from singing and dancing and sunshine and healing

I am from laughter and distrust and religious oppression
I am from the fable of good versus evil and heaven and hell
I am from serpents and mermaids and magic and melanin
I am from stolen stories and language and lineage and lore
I am from singing and dancing and sunshine and healing

I am from fear and forgotten and humanity hindered
I am from rehabilitated human relics reassembled all wrong
I am from beauty and darkness and inviolate inner strength
I am from currency corruption and conquest and con
I am from singing and dancing and sunshine and healing

I am from ancestors restless and whispering wisdom
I am from ancestors uprising and possessing and guiding
I am from singing and dancing and sunshine and healing
I am from love

Nightmarish encounter leads to friendship, faith

January 22, 2010

I would rather be caught running down the street naked between spa appointments!

This was the predominant thought in my mind the morning after a dead (yes, dead as in deceased) neighbor, had “popped over” uninvited, bearing messages he wished me to deliver to his, very much alive, wife.

He believed that I could calmly knock on her door, a woman with whom I had exchanged passing hellos, but was not a familiar, and boldly state: “Hello. How are you? Oh, by the way, Bob* says to tell you he’s fine.”

This catholic lady would surely run me off her front porch brandishing, if I were lucky, a broom, shrieking: “Witch! Devil’s disciple! Somebody stone her!” Or else, she would fall down in a dead faint. Dead being the operative word and I would be found guilty of murder in the first degree due to my meddling on the “other side.” Nope, I was not going there. Somebody help me with my zipper, please?

I will not go into great detail here, but suffice it to say, during Bob’s spectral social call, I alternated between cackling at his jokes and recoiling in panic, belligerently demanding to know what the bloody hell he wanted and why me. And I wondered, had I crossed over to the other side, or simply snoozed my way into insanity? Dreamless sleep eventually redirected me from the nightmare.

Waking the next morning, something told me that the night’s phantasm had not been merely a dream, and that I did, indeed, have a delivery to make. Which is how I came to be contemplating a naked dash through the west hills. I excavated “to-do” lists from clear back in the Neolithic age that day – anything to prevent me from complying.

My ego sang me a cacophonous canon, foretelling my fate should I dare to play spiritual carrier pigeon.

“You’ll be known as the town witch. A black witch!” it keened. “People will laugh at you. Think of your children. You’ll end up the anti-social, angry hag kids torment, a crumpled old lady who hungers for human contact, but lives instead with 37 feral cats and grows out her chin hair.”

In tandem with this raucous rhetoric, I heard an incessant but kindly whisper: “You’ll not sleep until you tell.” If I had not crossed over into crazy the night before, I was spiraling rather rapidly into its abyss now. When suddenly, tranquilized, I surrendered. I made the conscious decision to do as I was told, and accept whatever consequences. In that moment I was alchemist. I met magic. With a flick of my free will my physical boundaries vanished and I became one with the air, a mass of effervescence somersaulting this way and that, in dark, inky ether.

Magic propelled me to my neighbor’s house. It maneuvered my feet up the driveway. It encouraged me as I rang the doorbell and stood for eternity in the silent darkness until, gratefully, determining no one was home, I turned to leave. A light came on. Magic ditched me (or so I believed).

Dale* stood in the doorway eyeing me expectantly. In one explosive exhale, I blurted: “You might think I’m crazy after I have said this I’ll understand if you do but I have to do this I have a message from Bob.”

I steeled myself for the blow. To my surprise, Dale gently took my hands: “Come inside,” she invited. Stupefied, I followed. She led me to a familiar room, (I had never before been inside her home), sat me down.

“Tell me what happened?” she enquired.

I visited with Dale for some time. She shared photos and stories of her life with Bob. I was humbled both by what I had been privy to and her trust in me. Leaving I confessed my terror-fueled reluctance and thanked her profusely for receiving me so graciously. She thanked me for my courage and, my faith.

I delivered a message to my neighbor and I discovered faith.

I discovered that faith is knowing in your heart, the right thing to do, acknowledging and accepting the risk of ridicule, and exposing yourself anyway – fully clothed.

*Names have been changed.

This article originally appeared in December, 2009 edition of The Southwest Community Connection newspaper

Neighbor’s exclaimation reveals the heirlooms that bind us to our past

September 11, 2009

Aaaarrghhhh!!!

That was the sound of delighted recognition, involuntarily escaping the throat of my neighbor’s cousin, upon spying a strainer in a cupboard.

It was Independence Day. Invited to dinner at a neighbor’s house, we ladies were in the kitchen and the boys were outside practicing legalized pyromania, under the supervision of a responsible adult, of course.

Boisterous chatter and laughter filled the air, mingling melodically with the distant staccato crackle of sparklers and Pop-its. Suddenly, my neighbor ducked beneath the counter to retrieve a utensil, but her access was impeded by uncooperative cabinet mechanism. Her cousin bent down to assist and then, screamed.

My vivid imagination shifted, immediately, into overdrive – unlike my legs or body, which, I will confess, did not even deign to feign activity. Picturing a cache of rodent droppings, or a rodent(s) deep in rigor mortis, I was quite content to be on my side of the counter and was congratulating myself on my good fortune, when comprehensible conversation resumed.

“I have that strainer, but mine is bigger! It’s got to be 60 years old!” Exclaimed my neighbor’s cousin.

“You do? This was my grandmother’s!” Responded my neighbor.

“It might even be 70 years old.” Said her cousin.

“I bet it came from a set.” Declared my neighbor.

Passing the strainer tenderly between themselves, my neighbor and her cousin (whose grandmothers were sisters) bantered excitedly back and forth, delving into their memories, reminiscing. I marveled at how a simple strainer had so effortlessly opened a pathway to their pasts, their present and their familial connections. It was as if magical memory tentacles poured forth from this strainer and bound them, no, hugged them, together.

Their excitement was palpable. I sat utterly enchanted, smiling, my heart filling, honored to be a sentimental observer, allowed to bask in their joy, when out of nowhere an ill-mannered curmudgeon clonked me out of my heart and into my head.

Abruptly, I was no longer in my neighbor’s kitchen. I was inside my own head, and thinking. Thinking how I didn’t have kitchen accoutrements with memory tentacles that had been passed down my family tree, to me. How I had no fancy wedding crockery, not even a chipped mug, with sentimental, scream-inducing value, for my poor, evidently deprived, sons to inherit.

I don’t recall purchasing a ticket, but I had boarded the “Woe Is Me” train, which was hurtling down a track that I was laying. About to sign the papers promoting me from “track layer” to driver of said train, the Universe mercifully intervened, bonking me on my noggin, bringing me back to “Life.” As I “regained consciousness,” I heard my guardian angel, (or was it my inner child?) admonishing: “You don’t even believe in fancy china, Silly Billy!”

Puttering alone around my house the next day, I caught a glimpse of my late father’s red guitar. Halted mid-putter, a silent scream ricocheted and resonated within me. Instantly, I remembered how my siblings and I had loved to sit at my dad’s feet, luxuriating in the sound of his strumming and singing; how my dad had insisted I take the guitar from his house when I had, once again, rushed back to England to visit him in the hospital. (How I couldn’t do it because it would have meant admitting he was going to die.) I recalled how, when I finally received the guitar, (my dad died a year later, peacefully at home), I taught myself to play, beginning triumphantly with the D, G and A7 chords. I chuckled when I thought about how when I play this red guitar, my sons will sometimes, unconsciously, sing along with me. (Don’t tell them I told.)

And I realized that I did, too, have my own scream-inducing family heirloom. Only my “Aaaarrghhhh!!!” is more of an, “Huuummmm!” and definitely in the key of D.

Sharon Martini is an English “mummy.” She lives in the Bridlemile neighborhood with her two sons, several pets. A local singer and actress, she also writes and illustrates little picture books.

This article originally appeared in the July 2009, edition of The Southwest Community Connection Newspaper.

Are there family heirlooms in your life that make you squeal?

Sing A Song Of Healing

March 11, 2009

Since the beginning of time humans have communicated through music and song. Song has been healer, uniter, redeemer, sage, connector and liberator. Remember how freeing it is to sing, out loud, even off-key, to a favorite, or just plain annoying melody that won’t let you go? Take a moment to feel how it feels. Do you feel open, expanded, light as air – liberated? I know I do.

In our modern technology addled world, research has caught up with the natives, the primitive people, and proven the power of music and song. Children (and we are all children at heart) learn effortlessly when lessons are camouflaged in music and lyrics. It is my belief that we must hang on to our inner child, for when we do we are more apt to let life lead us everywhere, and to sing out loud and proud, even off-key!

Musical pitches have different healing frequencies which affect areas in which there is dis-ease, or disharmony, returning them to harmony, wholeness. The true meaning of the word “heal” is to make whole. It is our right and need, as humans, to live in harmony, be whole, first with ourselves and then, with everyone else.

I offer my song “What Color Are You?” as a tool for us all in our walk toward wholeness and healing for the world. (I wrote this song – among other reasons – as an accompaniment to my children’s picture book “Max and Me.”)

Sing it loud! Sing it proud! Please do sing it, even off-key!